Height: 5’ 5’

Hair: Dark Brown

Eyes: Hazel

Spotlight: 5639

Training : Guildhall School of Music and Drama

Skills: Extensive role-play experience.

Jill trained at The Guildhall School of Music and Drama. She comes from a theatrical background, her father being a variety artist and her mother an actress/dancer and later a theatrical costumier.

One of the highlights of her early career was a season at The Donovan Maule Theatre, Nairobi ,where she played Laura in The Glass Menagerie and Jill Mason in Equus.

She joined The Royal National Theatre for the first time in 1980, appearing in The Life of Galileo for John Dexter, Othello for Sir Peter Hall and creating the role of Slave in The Romans in Britain for Michael Bogdanov. She toured with Mrs Worthington’s Daughters in Angels of War and Wyres Cross.

In 1982, she played Lady Macbeth, Lady Capulet and The Princess of France in Loves Labours Lost at The Bolton Octagon. Her second visit to The National in the late 80’s was for Ghetto directed by Nicholas Hytner, and Hedda Gabler for Howard Davies in which she played Mrs Elvsted as understudy cover opposite Juliet Stevenson.

She has worked on many West End productions, including It’s Ralph and The Rehearsal at The Garrick for Ian McDiarmid. In the mid 90’s she played both Hannah Jarvis and Lady Croom at many performances in Arcadia by Tom Stoppard, directed by Sir Trevor Nunn at The Theatre Royal, Haymarket.

After a career break while her children were teenagers, Jill returned to The Theatre Royal last year to cover Lady Fidget, Mrs Squeamish and Old Lady Squeamish in The Country Wife, directed by Jonathan Kent, and Maria Thins in Girl With A Pearl Earring, directed by Joe Dowling.

Her film and television credits include: Midnight Man, The Bill, Mountain Men, Missing From Home, Strange But True, Crossroads and The Golden Shot!

Jill Stanford

Recent Reviews...

Hostess of the Inn

This new translation of the 18th-century comedy La Locandiera, by Carlo Goldoni, is brought to life by the sheer exuberance and vitality of the cast. Their impassioned performances clearly come from a strong affinity for the work and are a delight to behold.

SALLY STOTT- THE STAGE

Clare Wallis and JILL STANFORD do an equally winsome double act as a pair of avaricious actresses in disguise.

LUCY POWELL-TIME OUT 3 STARS

The bronze medal is jointly won by Paul Bryant as Fabrizio and JILL STANFORD as Hortensia, one of two actresses posing as aristocratic women visiting the inn. It was a shame, then, that Stanford and her partner Clare Wallis (as Dejanira, who was also very funny) are not given more stage time by the author.

DAVID PHIPPS-DAVIS- REMOTEGOAT 4 STARS

Alex Barclay and Edward Kingham hit the ground running. Kingham’s eye work is delicious, and his drunk sublime. Same goes for the painted ladies, JILL STANFORD and Clare Wallis. All four pull us in: awful but alluring.

CHRIS BEARNE- REMOTEGOAT 4 STARS

A couple of actresses passing themselves off as nobility, a blowsily overblown JILL STANFORD and a giggling Clare Wallis, making herself gawping and toothy, win their laughs as a broad comic duo.

HOWARD LOXTON- THE BRITISH THEATRE GUIDE

Topping off all this is the acting, which is frequently superb. Alex Barclay in particular stands out as the ridiculous Count and JILL STANFORD is brilliant as hammed-up actress Hortensia.

CAMDEN NEWS JOURNAL- JOSH LOEB

Stills from Jill's recent film 'ROBBING PETER'

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